[Ghost/Diaphragms] aims to explore the rough/soft edges of the visual worlds of games, and the ways in which we haunt those spaces. Each series, focused on one title, is composed of a selection of shots taken in-game and accompanied by a short text. Today’s series, Ten More (K)nots features shots from Id Software’s DOOM : … Continue reading Ten More (K)nots
[Ghost/Diaphragms] aims to explore the rough/soft edges of the visual worlds of games, and the ways in which we haunt those spaces. Each series, focused on one title, is composed of a selection of shots taken in-game and accompanied by a short text. Today’s series, Hell (K)not, features shots from id Software’s DOOM : Eternal … Continue reading Hell (K)Not
[Ghost/Diaphragms] aims to explore the rough/soft edges of the visual worlds of games, and the ways in which we haunt those spaces. Each series, focused on one title, is composed of a selection of shots taken in-game and accompanied by a short text. Today’s series, Out of Bounds With The Generation, features shots from Tali … Continue reading Out Of Bounds With The Generation
Arrest of a stone Budha lies. It’s not immediately apparent nor is the revelation striking in nature but the lie or, rather, the absence of telling permeates each frame. Flair is the primary mode of conveyance here ; the charm of retro games meets the stylishness of a John Woo flick. Hitman is searching for … Continue reading A State of Always
[Ghost/Diaphragms] aims to explore the rough/soft edges of the visual worlds of games, and the ways in which we haunt those spaces. Each series, focused on one title, is composed of a selection of shots taken in-game and accompanied by a short text. Today’s series, Beyond Leviathan, features shots from Bungie’s Destiny 2 : Beyond … Continue reading Beyond Leviathan
Abzû is intent on rebirth. Only through light and fresh water will new life bloom and the ocean be reborn in its most vibrant form. In a way, it’s Journey flipped on its head ; deserts are now submerged, silky pilgrims have given way to automatons and though the game was made by some of … Continue reading Dead Things Matter Too, Abzû
[Ghost/Diaphragms] aims to explore the rough/soft edges of the visual worlds of games, and the ways in which we haunt those spaces. Each series, focused on one title, is composed of a selection of shots taken in-game via the available capturing tool accompanied by a short text. Today’s introductory series,The Flesh of the Gods, was … Continue reading The Flesh Of The Gods
« The Square est un sanctuaire où règnent confiance et altruisme. Dedans, nous sommes tous égaux en droits et en devoirs. » Sur la plaque de la nouvelle œuvre d’un musée d’art contemporain à Stockholm est inscrit ce court énoncé, une sorte de reformulation de la Déclaration des Droits de l’homme. On coupe sur le … Continue reading The Square
“The year is 2084. If they told me what the world would become I would not have believed them. (…) I am what they fear. A corporate tool of opression. A despised leech that creeps into your dreams and feeds off your fears. If you don’t remember, if you won’t remember. That’s when they call … Continue reading We Were Wolves
[Cet article a été écrit avant la série de mises à jours Foundation, NEXT, Beyond, etc, qui transforment l’expérience “vanilla” de No Man’s Sky] Zohdansc Major. Une planète de plus, dans un système inconnu, loin du coeur galactique. J’errais depuis une bonne dizaine de minutes à la surface quand elle s’est dressée sur mon chemin. … Continue reading Every Mountain A Painting
